I went to see Hedwig and the Angry Inch without having any prior knowledge of the story or the show, and I left Carriageworks elated and satisfied. It’s a confronting and powerful story about human tenacity. I was kept on my toes from the moment the curtain rose.

The first thing you’ll notice is the circular platform stage that encasing the band pit which was striking, intimate, and offering plenty of room to play for the performers. It suited the show’s setting, being a rock concert. The staircase that wrapped around the back-half of the platform was strategically used in the high-emotive points of the show. The lighting for this production was a highlight. Not only was this important for a blackbox venue, it filled the space and added to the wonder and heartfelt moments of Hedwig’s colourful life. Big kudos to the whole Technical Team.

Hedwig (Seann Miley Moore) was fierce in the truest, boldest way possible. She played around with audience members in many of the songs and felt very personable, which served right into the aesthetic of the show. She flipped between several accents from the very thick German to the Southern twang, while jumping between stories and retelling the rollercoaster that was her life. I found myself second-guessing whether I caught every story beat. Some moments were a little difficult to follow due to the accents used in the monologues. Still, it’s a massive undertaking to carry a show like this nearly solo, and Moore did it with charisma, stamina, and undeniable star power.

Yitzhak (Adam Noviello) was the supporting act to Hedwig, an important part of the show as the emotional counterpoint to Hedwig. Quiet and reserved, Noviello made me feel safe when they’re on stage, amidst Hedwig’s chaos and unpredictability. They’re a constant that’s needed for the show.

The music was a 10 out of 10. I wouldn’t consider any song a skip. Every song was important for the story to progress. Music Director/Keys Victoria Falconer captured me with her subtle but animated reactions throughout. The band felt very integrated in this show which is always a plus.

Hedwig and the Angry Inch was an emotional, electric ride. Part concert, part confession, and emotionally laid bare. I walked in not knowing what to expect and left completely drawn in by its raw storytelling. This production delivered both spectacle and soul, and it’s the kind of theatre that stays with you.

Hedwig and the Angry Inch is playing at Carriageworks, Eveleigh until the 3rd August.
Book tickets here.